Happy International Translation Day!

Happy International Translation Day to translators and interpreters around the world! With every job, we bring people more of what they need or want across boundaries of language and culture. Be proud of yourselves, and have a fantastic day! To learn more, see the International Federation of Translators ITD page: https://en.fit-ift.org/international-translation-day/

A Portrait of the Artist as an Older Man

Photo of Sir James Galway from his press kit at http://www.jamesgalway.com/press-section

Watching artists over a long arc of years reveals a lot of interesting things: What changes, what stays the same. What you thought were their strengths, what their strengths turn out to be.

James Galway was one of my favorite flutists growing up. My aunt bought me his CDs and at least one book about him. Like so many, I liked the twinkle in his eye. The way he was more accessible to the viewer than Jean-Pierre Rampal; the way both of them made it look easy, but Galway made it look like he was having fun. I once called him a “jolly elf.”

As an adult, I went to see him perform live with the Dallas Symphony Orchestra. My significant other at the time was mystified by my “jolly elf” characterization, because by then he was no longer young. The twinkle in his eye was still firmly in place, but much of the bounce was gone. And yet, I was truly touched by this performance.

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Notes on #MeToo: Rape in Translation

*Note: The views expressed in this essay are the author’s alone, and should not be taken to represent the views of any current or former employers.

 

When I read Uma Thurman’s stories of abuse and betrayal at the hands of the men who were supposed to be her collaborators, I couldn’t help but write about it. Something about the context of experiencing these terrible things while she was working on Kill Bill, one of the most violent cinematic environments possible (even if she and her stunt double were often the ones instigating the violence), struck a familiar chord with me.

I work in the entertainment industry, translating films and TV shows. I translate mostly TV, but I love film. Film is my greater love, and it’s where I wish I spent more of my time. But I’ll tell you something: Despite my profession, in my private life, that love died for a long time. I stopped watching films for years.

It wasn’t “despite” my profession. It was because of my profession.

I’ve never been sexually assaulted or put in extreme physical danger in the name of film, like Thurman and so very many of her colleagues. I don’t claim the #MeToo hashtag for myself, because it belongs to those who have experienced things I haven’t. But the juxtaposition of “my day job” with “horrific sexual violence” is familiar to me. I think it’s probably familiar to far more people than those outside the industry might imagine.

That’s why today, I want to talk about the entertainment industry. Not because it’s the only industry that is home to male sexual predatorsit isn’t. Not because the suffering of entertainers matters more than other people’s suffering—it doesn’t. Not even because this is the worst of work environments for a language professional—that’s not true, either. (I can’t imagine what it’s like to be a court interpreter, hearing and relating the stories of crime victims.) But because it’s a work environment that’s not easy for many people to understand, and that’s something I can help with.

So, here are some thoughts on being a woman in the entertainment world.

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On Being Wrong

On March 2nd, 2017, I decided to be wrong.

More concretely, I decided to give up being right for Lent. I was motivated by several different things, both abstract and pragmatic. There was my frustration with what I see as a potentially fatal barrier to productive discourse in American society today—widespread self-righteousness—and my desire to change it. There was my interest in how philosophical concepts like self-doubt and self-righteousness interact with religion. And there was my identity as a translator.

Wait, you may be thinking, what does being a translator have to do with any of this?

Well, I’m glad you asked! This is a translation blog, after all. And my view is that a healthy, consciously wielded self-doubt sits squarely at the heart of the translator’s best practices.

TheDetailWoman tweet from 4:26 PM - 4 Mar 2017.

Less than a year after I turned translation from my hobby into my profession, I was put in charge of reviewing other anime translators’ work. I was so young—just 23!—and so unestablished that this was a pretty shocking development. I mean, I knew translation was the career for me, but I didn’t think I’d already achieved unparalleled genius in the field or anything. I’m sure that if any of the people whose work I was correcting back then learned my age, they were quite shocked too, if not actively offended.

As it turned out, the fact that I didn’t think I’d achieved genius is exactly what made me a good reviewer. In the beginning, when I looked at a translation of anything more complex than sentences like “Please” and “Thank you,” I’d try to verify, because I didn’t trust my own authority over the other translators’ in any inherent way. I looked up words. I looked up all the words, including the words I already knew. I reread my grammar books to make sure I wasn’t misremembering obscure usages. I asked my mentor when I wasn’t sure I’d figured something out correctly. And I rapidly discovered that this is exactly what the people whose work I reviewed weren’t doing, and therefore the work was riddled with errors. And so I learned that the self-doubt I felt wasn’t just “beginner’s jitters” that more time in the career should alleviate. Instead, it was the most powerful tool a translator can have at her disposal. When we know how easily we can be wrong, we take the steps to try to be less wrong. It might take a few days of bravery to really internalize that you’re constantly teetering on the edge of wrongness, but once you get there, it’s not only empowering: it’s an enormous relief.

You can’t be both a good translator and a self-righteous translator. It’s just not a thing.

Human fallibility, on the other hand, is definitely a thing.

So in the last couple of years, as I’ve seen self-righteousness overcome more and more of society in our religious, political, and social conversations and realized how little we are willing to listen to each other from that place of “healthy, consciously wielded self-doubt” so that we can truly understand and solve problems, the more I’ve thought that this wrongness principle should apply outside of translation. It should apply to our lives across the board: humans are fallible, which means we could be wrong in our convictions at any time. My premise, then, at the beginning of my Lenten experiment was, “You can’t really see the truth about anything until you acknowledge that you might not have looked at it properly yet.”

self-righteous. (n.d.). Dictionary.com Unabridged. Retrieved May 5, 2017 from Dictionary.com website http://www.dictionary.com/browse/self-righteous
self-righteous. (n.d.). Dictionary.com Unabridged. Retrieved May 5, 2017 from Dictionary.com website http://www.dictionary.com/browse/self-righteous

 

Since I want to see everyone practice this, I started by trying to practice it myself. I wrote several friends-only follow-ups on Facebook throughout Lent, and promised to write up my notes on the whole experience at the end… which is what I’m doing now.

So, how did it go and what did I learn?

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FAQ #3: Did Your Bryn Mawr Education Prepare You For Your Career?

Image of the letters FAQ with a magnifying glass over the F.

Another FAQ!

Much as I love my alma mater, the question “Did your Bryn Mawr education prepare you for your career?” is, I think, actually a bigger one: “Did your liberal arts education prepare you for your career?” Because Bryn Mawr is a liberal arts school, and I think the practical usefulness of the liberal arts is what people are really getting at here.

The short answer: yep, it did.

The long answer: Here’s what a liberal arts education is, and why it’s useful to a translator’s career even though it’s by definition not career-specific.

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What Good Is Literature?

Today, one of my advanced and highly motivated students embarked with me on his first foray into Japanese literature: we started reading the short story 「神様」 (“Kamisama,” or “God”), by Hiromi Kawakami. It’s the second time I’ve taught this story, which features a walk to the river with a delightfully polite bear. It was hard … Read more