Happy International Translation Day to translators and interpreters around the world! With every job, we bring people more of what they need or want across boundaries of language and culture. Be proud of yourselves, and have a fantastic day! To learn more, see the International Federation of Translators ITD page: https://en.fit-ift.org/international-translation-day/
Here in the United States, we’re talking about another mass shooting. It doesn’t matter what day you read this post on; that opening sentence will still be true. We have a lot of them here. We talk about them a lot. We typically don’t do anything beyond talking, but that part may change one day. … Read more
Watching artists over a long arc of years reveals a lot of interesting things: What changes, what stays the same. What you thought were their strengths, what their strengths turn out to be.
James Galway was one of my favorite flutists growing up. My aunt bought me his CDs and at least one book about him. Like so many, I liked the twinkle in his eye. The way he was more accessible to the viewer than Jean-Pierre Rampal; the way both of them made it look easy, but Galway made it look like he was having fun. I once called him a “jolly elf.”
As an adult, I went to see him perform live with the Dallas Symphony Orchestra. My significant other at the time was mystified by my “jolly elf” characterization, because by then he was no longer young. The twinkle in his eye was still firmly in place, but much of the bounce was gone. And yet, I was truly touched by this performance.
*Note: The views expressed in this essay are the author’s alone, and should not be taken to represent the views of any current or former employers.
When I read Uma Thurman’s stories of abuse and betrayal at the hands of the men who were supposed to be her collaborators, I couldn’t help but write about it. Something about the context of experiencing these terrible things while she was working on Kill Bill, one of the most violent cinematic environments possible (even if she and her stunt double were often the ones instigating the violence), struck a familiar chord with me.
I work in the entertainment industry, translating films and TV shows. I translate mostly TV, but I love film. Film is my greater love, and it’s where I wish I spent more of my time. But I’ll tell you something: Despite my profession, in my private life, that love died for a long time. I stopped watching films for years.
It wasn’t “despite” my profession. It was because of my profession.
I’ve never been sexually assaulted or put in extreme physical danger in the name of film, like Thurman and so very many of her colleagues. I don’t claim the #MeToo hashtag for myself, because it belongs to those who have experienced things I haven’t. But the juxtaposition of “my day job” with “horrific sexual violence” is familiar to me. I think it’s probably familiar to far more people than those outside the industry might imagine.
That’s why today, I want to talk about the entertainment industry. Not because it’s the only industry that is home to male sexual predators—it isn’t. Not because the suffering of entertainers matters more than other people’s suffering—it doesn’t. Not even because this is the worst of work environments for a language professional—that’s not true, either. (I can’t imagine what it’s like to be a court interpreter, hearing and relating the stories of crime victims.) But because it’s a work environment that’s not easy for many people to understand, and that’s something I can help with.
So, here are some thoughts on being a woman in the entertainment world.
More concretely, I decided to give up being right for Lent. I was motivated by several different things, both abstract and pragmatic. There was my frustration with what I see as a potentially fatal barrier to productive discourse in American society today—widespread self-righteousness—and my desire to change it. There was my interest in how philosophical concepts like self-doubt and self-righteousness interact with religion. And there was my identity as a translator.
Wait, you may be thinking, what does being a translator have to do with any of this?
Well, I’m glad you asked! This is a translation blog, after all. And my view is that a healthy, consciously wielded self-doubt sits squarely at the heart of the translator’s best practices.
Less than a year after I turned translation from my hobby into my profession, I was put in charge of reviewing other anime translators’ work. I was so young—just 23!—and so unestablished that this was a pretty shocking development. I mean, I knew translation was the career for me, but I didn’t think I’d already achieved unparalleled genius in the field or anything. I’m sure that if any of the people whose work I was correcting back then learned my age, they were quite shocked too, if not actively offended.
As it turned out, the fact that I didn’t think I’d achieved genius is exactly what made me a good reviewer. In the beginning, when I looked at a translation of anything more complex than sentences like “Please” and “Thank you,” I’d try to verify, because I didn’t trust my own authority over the other translators’ in any inherent way. I looked up words. I looked up all the words, including the words I already knew. I reread my grammar books to make sure I wasn’t misremembering obscure usages. I asked my mentor when I wasn’t sure I’d figured something out correctly. And I rapidly discovered that this is exactly what the people whose work I reviewed weren’t doing, and therefore the work was riddled with errors. And so I learned that the self-doubt I felt wasn’t just “beginner’s jitters” that more time in the career should alleviate. Instead, it was the most powerful tool a translator can have at her disposal. When we know how easily we can be wrong, we take the steps to try to be less wrong. It might take a few days of bravery to really internalize that you’re constantly teetering on the edge of wrongness, but once you get there, it’s not only empowering: it’s an enormous relief.
You can’t be both a good translator and a self-righteous translator. It’s just not a thing.
Human fallibility, on the other hand, is definitely a thing.
So in the last couple of years, as I’ve seen self-righteousness overcome more and more of society in our religious, political, and social conversations and realized how little we are willing to listen to each other from that place of “healthy, consciously wielded self-doubt” so that we can truly understand and solve problems, the more I’ve thought that this wrongness principle should apply outside of translation. It should apply to our lives across the board: humans are fallible, which means we could be wrong in our convictions at any time. My premise, then, at the beginning of my Lenten experiment was, “You can’t really see the truth about anything until you acknowledge that you might not have looked at it properly yet.”
Since I want to see everyone practice this, I started by trying to practice it myself. I wrote several friends-only follow-ups on Facebook throughout Lent, and promised to write up my notes on the whole experience at the end… which is what I’m doing now.
Much as I love my alma mater, the question “Did your Bryn Mawr education prepare you for your career?” is, I think, actually a bigger one: “Did yourliberal arts education prepare you for your career?” Because Bryn Mawr is a liberal arts school, and I think the practical usefulness of the liberal arts is what people are really getting at here.
The short answer: yep, it did.
The long answer: Here’s what a liberal arts education is, and why it’s useful to a translator’s career even though it’s by definition not career-specific.
I’ve read a lot of excellent posts from my fellow freelancers talking about setting boundaries with clients: establishing what type of deadline is okay and what price you’re willing to work for, or even establishing when you will be available via email throughout the day (I could swear I remember Corinne McKay giving that advice, … Read more
I’m slammed by so many work emergencies these days I haven’t had time to write too much for myself, but here a couple of quick little thoughts about the uses of literature in translation and in the world to follow up on What Good Is Literature?: 1. Literature: It’s What’s on TV Every so often … Read more
Today, one of my advanced and highly motivated students embarked with me on his first foray into Japanese literature: we started reading the short story 「神様」 (“Kamisama,” or “God”), by Hiromi Kawakami. It’s the second time I’ve taught this story, which features a walk to the river with a delightfully polite bear. It was hard … Read more
Cookie Consent
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Google Tag Manager simplifies the management of marketing tags on your website without code changes.
Name
Description
Duration
cookiePreferences
Registers cookie preferences of a user
2 years
td
Registers statistical data on users' behaviour on the website. Used for internal analytics by the website operator.